Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Jean Auguste Dominique Ingres 02

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
72087 Portrat der Madame Riviere Jean Auguste Dominique Ingres Portrat der Madame Riviere 1805(1805) Oil on canvas 116 X 90 cm (45.67 X 35.43 in)
76941 Portrat Napoleon Bonapartes als Erster Konsul Jean Auguste Dominique Ingres Portrat Napoleon Bonapartes als Erster Konsul 1803-1804 Oil on canvas 226 ?? 144 cm (89 ?? 56.7 in) cjr
59438 Princesse Albert de Broglie, Jean Auguste Dominique Ingres Princesse Albert de Broglie, Princesse Albert de Broglie, n??e Jos??phine-El??onore-Marie-Pauline de Galard de Brassac de B??arn, 1853, Metropolitan Museum of Art
20414 Raphael and La Fornarina (mk04) Jean Auguste Dominique Ingres Raphael and La Fornarina (mk04) Oil on canvas, 66.3x55.6cm Fogg Art Museum, Cambridge
97343 Raphael and the Bakers Daughter Jean Auguste Dominique Ingres Raphael and the Bakers Daughter 1840(1840) Medium oil on canvas cyf
68886 raphael and the fornarina Jean Auguste Dominique Ingres raphael and the fornarina 1814 oil on canvas 66.3x55.6cm se
20866 Roger Delivering Angelica (mk05) Jean Auguste Dominique Ingres Roger Delivering Angelica (mk05) 1819 Canvas 58 x 75''(147 x 190 cm)Scene from Ariosto's Orlando Furioso,Canto X.Acquired at the Salon of 1819 INV. 5419 (MN)
10480 Roger Delivering Angelica. Jean Auguste Dominique Ingres Roger Delivering Angelica. 1819. Oil on canvas. Louvre, Paris,
59430 Roger Freeing Angelica Jean Auguste Dominique Ingres Roger Freeing Angelica Roger Freeing Angelica, 1819, oil on canvas, 147 x 190 cm, Louvre, portrays an episode from Orlando Furioso by Ludovico Ariosto
20407 Romulus as Conqueror of King Acron (mk04) Jean Auguste Dominique Ingres Romulus as Conqueror of King Acron (mk04) 1811-1812 Oil on canvas. 276x530cm Musee du Louvre, Paris
75055 Ruggiero Rescuing Angelica Jean Auguste Dominique Ingres Ruggiero Rescuing Angelica 1819 Oil on canvas (147 x 190 cm) (57.9 x 74.8 in) cjr
59431 Self portrait at age 24 Jean Auguste Dominique Ingres Self portrait at age 24 Self portrait at age 24, 1804, Musee Cond??
20478 Self-Portrait at the age of 78 (mk04) Jean Auguste Dominique Ingres Self-Portrait at the age of 78 (mk04) 1858 Oil on canvas,62x51cm Galleria degli Uffizi, Florence
20396 Self-portrait at the Easel (mk04) Jean Auguste Dominique Ingres Self-portrait at the Easel (mk04) 1804 Oil on canvas, 77x61cm Musee Conde, Chantilly
20430 Study for the Martyrdom of St.Symphorian (mk04) Jean Auguste Dominique Ingres Study for the Martyrdom of St.Symphorian (mk04) 1833-1834 Oil and chalk on canvas, 61x50cm Musee Ingres Montauban
39486 The Apotheosis of Homer Jean Auguste Dominique Ingres The Apotheosis of Homer mk149 1827
20423 The Apotheosis of Homer (mk04) Jean Auguste Dominique Ingres The Apotheosis of Homer (mk04) 1826-1827 Oil on canvas, 386x515cm Musee du Louvre, Paris
20868 The Apotheosis of Homer (mk05) Jean Auguste Dominique Ingres The Apotheosis of Homer (mk05) 1827 Canvas 152 x 201 1/2''(386 x 512 cm)Salons of 1827 and 1833;formerly the ceiling painting of the Salle Clarac(room 252);removed in 1855 and replaced by a copy INV 5417 (G/AR)
10476 The Bather of Valpincon Jean Auguste Dominique Ingres The Bather of Valpincon 1808. Oil on canvas. Louvre, Paris, France
20864 The Bather of Valpincon (mk05) Jean Auguste Dominique Ingres The Bather of Valpincon (mk05) 1808 Canvas 57 1/2 x 38 1/2''(146 x 98 cm)Acquired in 1879 R.F.259 (G/AR)
20473 The Birth of Venus (mk04) Jean Auguste Dominique Ingres The Birth of Venus (mk04) 1808-1848 Oil on canvas, 193x92cm Musee Conde, Chantilly
20870 The Composer Cherubini with the Muse of Lyric Poetry (mk05) Jean Auguste Dominique Ingres The Composer Cherubini with the Muse of Lyric Poetry (mk05) Paris 1842 Canvas 41 1/4 x 37''(105 x 94 cm)Acquired in 1842 INV 5423(G/AR)
20412 The Death of Leonardo da Vinci (mk04) Jean Auguste Dominique Ingres The Death of Leonardo da Vinci (mk04) 1818 Oil on canvas 40x50.5cm Musee du Petit Palais, Paris
20438 The Death of Sardanapalus (mk04) Jean Auguste Dominique Ingres The Death of Sardanapalus (mk04) 1827 Oil on canvas, 395x496cm Musee du Louvre Paris
20409 The Dream of Ossian (mk04) Jean Auguste Dominique Ingres The Dream of Ossian (mk04) 1812-1813 Oil on canvas, 348x275cm Musee Ingres, Montauban
21865 The Dream of Ossian (mk10) Jean Auguste Dominique Ingres The Dream of Ossian (mk10) 1813,oil on canvas, 348 x 275 cm Montauban,musee Ingres
25940 The eTukish Bath (mk45) Jean Auguste Dominique Ingres The eTukish Bath (mk45) 1862 Oil on canvas diameter 108cm Paris,Musee du Louvre
20432 The Execution of Lady Jane Grey (mk04) Jean Auguste Dominique Ingres The Execution of Lady Jane Grey (mk04) 1833 Oil on canvas. 97x117cm National Gallery. London
20464 The Golden Age (mk04) Jean Auguste Dominique Ingres The Golden Age (mk04) 1862 Oil on paper,stretched on wood, 46.4x61.9cm Fogg Art Museum,Cambridge
20456 The Golden GAge (mk04) Jean Auguste Dominique Ingres The Golden GAge (mk04) 1842-1847 Oil on wall plaster 480x660cm Chateau de Dampierre, Yvelines
20429 The Martyrdom of St.Symphorian (mk04) Jean Auguste Dominique Ingres The Martyrdom of St.Symphorian (mk04) 1834 Oil on canvas, 407 by 339cm Cathedral of Saint-Lazare, Autun
20446 The Murder of the Duke of Guise (mk05) Jean Auguste Dominique Ingres The Murder of the Duke of Guise (mk05) 1834 Oil on canvas, 57x98cm Musee Conde,Chantilly
20869 The Sculptor Lorenzo Bartolini (mk05) Jean Auguste Dominique Ingres The Sculptor Lorenzo Bartolini (mk05) Florence 1820 Canvas 42 1/2 x 34''(108 x 86 cm)Donated by Carlos de Beistegui in 1942;entered the Louvre in 1953 R.F 1942-24 (MN)
20399 The Sistine Chapel (mk04) Jean Auguste Dominique Ingres The Sistine Chapel (mk04) Oil on canvas. 74.5x927.cm National Gallery of Art, Washington
59439 The Source Jean Auguste Dominique Ingres The Source The Source, 1856, Mus??e d'Orsay
20474 The Source (mk04) Jean Auguste Dominique Ingres The Source (mk04) 1856 Oil on canvas, 163x80cm Musee d'Orsay, Paris
10487 The Source. Jean Auguste Dominique Ingres The Source. 1856 Oil on canvas. Louvre
10489 The Turkish Bath Jean Auguste Dominique Ingres The Turkish Bath 1862. Oil on wood Louvre, Paris, France
59428 The Turkish Bath Jean Auguste Dominique Ingres The Turkish Bath The Turkish Bath, 1862, oil on canvas, diam. 108 cm, Louvre. A summation of the theme of female voluptuousness attractive to Ingres throughout his life, rendered in the circular format of earlier masters.
87985 The Turkish Bath Jean Auguste Dominique Ingres The Turkish Bath 1862(1862) Medium Oil on canvas on wood cyf
20871 The Turkish Bath (mk05) Jean Auguste Dominique Ingres The Turkish Bath (mk05) 1862 Canvas on wood,diameter 42 1/2''(108 cm)Given in 1911 R.F 1934 (S/AR)
21318 The Turkish Bath (mk09) Jean Auguste Dominique Ingres The Turkish Bath (mk09) 1862 Oil on canvas,diamerer 108 cm Paris,Musee National du Louvre
10481 The Virgin of the Host Jean Auguste Dominique Ingres The Virgin of the Host 1841. Oil on canvas. The Pushkin Museum of Fine Art, Moscow.
40036 Turkish Bath Jean Auguste Dominique Ingres Turkish Bath mk155 1859-1863 Canvas on wood 110cm dia
21321 Valpincon Bather (mk09) Jean Auguste Dominique Ingres Valpincon Bather (mk09) 1808 Oil on canvas,146 x 97.5 cm Paris,Musee National du Louvre
71691 Venus Anadyomene Jean Auguste Dominique Ingres Venus Anadyomene 1848(1848) Oil on canvas 164 x 82 cm (64.57 x 32.28 in)

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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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